Showing posts with label 1874. Show all posts
Showing posts with label 1874. Show all posts

Friday, February 23, 2018

Nella Fontaine Binckley: "Odds and Ends from an Artist's Life," Chapter III, Part 3

John Milton Binckley (circa 1831-1878)*
[Nella Fontaine Binckley, "Odds and Ends from an Artist's Life," Chapter III, part 3. From a transcription annotated by Patricia D'Arcy Binckley of typewritten original, February 25, 2005. Original "written some time after 1941 by Nellie F. Binckley, 1860-1950 or 51." Notes in brackets are mine, unless followed by the initials "P.D.B." Occasionally, additional paragraph breaks inserted for easier reading. 

Many thanks to William Myers, Mary Davy, Sally Young and Sue Davis for their ongoing research collaboration; specifically to William for providing a scan of the original document, and in turn many thanks to Peter Binckley and Patricia D'Arcy "Trish" Binckley (1951-2007), at the source.]


He [John Milton Binckley] had been an editor at various times. Before he was married, [September 15, 1859 -- P.D.B.] he had been the editor of the old National Intelligencer [italics added] in Washington, the forerunner I believe of the present Evening Star [italics added]. He told me his mother used, occasionally, to write an editorial. And I remember that he said his brother Phil [Philander Binckley] was the most intellectual man he had ever known. And he had known many. He knew Horace Greeley very well and Walt Whitman, whom he admired very much, and also the poet of the Sierras, Joaquin Miller. Dad wrote a very illegible hand, but boasted -- like Horace Greeley -- that the printers could always read it. 


Which reminds me of a story I read once of Greeley. In the early days, the [farmers] used to pay their subscriptions to the Tribune with farm produce which they brought to the office: butter, eggs, etc. One day a farmer brought in, with other things, a tiny chick. Some of the reporters there thought they'd play a joke on the compositor who always handled Greeley's manuscript and who bragged he could always read it. SO they inked the chick's feet, and put it on a sheet of paper and got a lot of marks. Then they gave it to the compositor, saying Mr. Greeley had just sent it in. The compositor set it up, and it read very well!


Another celebrity Dad knew was of a different kind. That was King Kalakauea of Hawaii. The dusky king was a genial fellow who liked to make trips to Europe; the crowned heads all entertained him at their palaces, treating him as one of themselves, and he was immensely popular. Dad [liked] him.


A friend of Father's, a tall fine looking man, used to come and see us. I remember Father telling us of his miraculous escape in the terrible Chicago fire, started by Mrs. O'Leary's cow, who immortalized herself by kicking over a lamp. I do not remember the details now. But somehow the gentleman was trapped in a big office building and went up on the roof. There was no way of escaping. Next door was a vacant lot where building operations had been started. There was a tremendous derrick standing there, not very far away. A rope attached to it hung down to the ground. The desperate man measured the distance with his eye. As it happened, he was a trained athlete. It was his only chance. He leaped across the gulf, caught the rope, and slid to the ground.


Father and Mother were a very devoted couple and our family life was tranquil. Dad was a great smoker and Mother let him smoke all over the house. We were brought up in an atmosphere of tobacco smoke. Yet neither of my brothers ever smoked for some reason.


One day when Grandmother was staying with us, we heard that a neighbor was sick. Grandmother went over at once and took charge till the lady was able to get up again. [Poor] grandmother was utterly flabbergasted when the lady asked for her bill. She had only followed the usual Southern custom among neighbors.


On September 29th [1875 -- P.D.B.] my sister was born and the doctor thought Mother should not go through another Chicago winter so soon after, as she was very sensitive to cold. So it was decided that Mother, George, the baby [May] and I should go south to [Abingdon, Virginia], where Grandmother was at the time. I was delighted, as I, too hate cold. 


Father had rather Spartan ideas about sleeping in a cold room and bathing in cold water. It was supposed to harden you, I imagine. But somehow I never hardened. I had the most awful colds all winter. In the South it was all right, but below zero! I never could understand how anybody could go to the Arctic regions from choice. I heard of a missionary who was sent to Greenland. Somehow he did not make any converts. So the church thought they'd better send out a younger man. When the ship got it, the resident missionary took the young man aside. "Son," he said, "I want to give you some advice. Don't preach 'em a hot Hell. That was the rock I spit on. They all wanted to go there. Preach 'em a cold Hell." Certainly that's the sort of Hell that would keep me in the straight and narrow. My brother Harvey stayed with Father. 


[Ellen/Nellie/Nella Fontaine Binckley (September 1, 1860-April 27, 1951). Family names and dates were whimsically tweaked by their owners during their lifetime, adding mystery and sometimes causing confusion. For Binckley's "Artist's Life," I'm opting for the full artist's signature name, Nella Fontaine Binckley. 


Grandmother = Jane Johnston Mitchell/Michel (1811-1892).
Mother = Mary Louisa/Louise Mitchell/Michel Binckley (1838-1930).
Dad/Father = John Milton Binckley (circa 1831-1878).


Philander H. Binckley (circa 1826-1898).

Walt Whitman (1819-1892) worked for John Milton Binckley as a clerk in the Attorney General's Office in 1867 and 1868. Several letters document their connection. Here is a link to one of them.
Joaquin Miller (1837-1913). 
Horace Greeley (1811-1872).
King Kalākaua (1836-1881).

George Sydney Binckley (1870-1941).

Mary "May" Binckley (1875-1969).
Harvey Mitchell Binckley (1864-1928).

*Portrait of John Milton Binckley via NYPL via Digital Public Library of America. Link here.]

Thursday, February 22, 2018

Nella Fontaine Binckley: "Odds and Ends from an Artist's Life," Chapter III, Part 2

[Nella Fontaine Binckley, "Odds and Ends from an Artist's Life," Chapter III, part 2. From a transcription annotated by Patricia D'Arcy Binckley of typewritten original, February 25, 2005. Original "written some time after 1941 by Nellie F. Binckley, 1860-1950 or 51." Notes in brackets are mine, unless followed by the initials "P.D.B." Occasionally, additional paragraph breaks inserted for easier reading. 

Many thanks to William Myers, Mary Davy, Sally Young and Sue Davis for their ongoing research collaboration; specifically to William for providing a scan of the original document, and in turn many thanks to Peter Binckley and Patricia D'Arcy "Trish" Binckley (1951-2007), at the source.]


My two grandmothers visited us, and my education was not neglected. Grandmother Michel had started me in French and Latin when I was nine years old. Her own education had been very unusual for a woman of her day. She was an excellent Latin scholar, spoke French like a native, and also knew Spanish and Italian. When she was a girl, young ladies had been taught to be notable housewives, to sew and embroider, and were prepared to preside over a household with grace and dignity. They were sent to a finishing school, where they acquired some accomplishments and got a smattering of a few other things. Beyond that, nobody cared what was in their heads, if anything. It did not matter.

Grandmother never went to school a day in her life. It was then the custom among the landed gentry of Virginia to have their sons prepared for college at home by a tutor. She was the youngest of a large family and the only daughter. She had nine brothers. She studied with their tutor and studies whatever she wished. She didn't like English grammar, so never studied it, and spoke the most beautiful English I ever heard. But of course, one does not learn one's native tongue from a grammar.

When she was 13, her mother [Mary Wood Johnston -- M.J.B.] died and she went to live in Washington with her brother Edward and his wife. He was a lawyer [he was an educator/editor/librarian], and a very accomplished linguist. His wife [Marie Antoinette Estelle Costar (De Cressac Villagrand) Johnston (circa. 1802-1848)] was French, from Martinique [from Saint-Domingue/Haiti], and she never learned English, nor did her mother, Madame Villegrand [Joséphine Labarrière Costar, whose second husband was Jerome De Cressac Villagrand, Estelle's step-father],who lived with them. So nothing but French was spoken in their house. 

[Nella is probably conflating her grandmother Jane with her mother, Mary Louisa, who lived for a time with Edward in Washington City; Edward and Estelle were married in New York City on February 7, 1824. They moved to Columbia, South Carolina in the second half of the 1820s. By the time they moved to Washington City, in the early 1840s, Jane had been married to Harvey Mitchell/Michel for a decade. However, Jane may have stayed with them for a while in New York City or in Columbia.]   

Uncle Edward once had a lawsuit to conduct in Mexico. He [knew] no Spanish, but in six weeks he had learned to read, write and speak it fluently. 

On Grandmother's 14th birthday [November 26, 1825], Aunt Estelle gave her an exquisite necklace, tiny opals set in a delicate gold chain, with a small carnelian cross as a pendant. Grandmother gave it to Mother on her 14th birthday [February 16, 1852], and Mother gave it to me on mine [September 1, 1874].

When I was 10, I won a contest in a child's magazine for best translation of a French story -- my first appearance in print.

When Spring came and the snows melted, we were living in a lake. But when Summer got there it was beautiful. Most of the ground was virgin prairie, not yet uprooted by the prairie plough, and covered with wonderful wildflowers. But I didn't care much for prairies -- too monotonous. And such an awful lot of sky. I missed my beloved Peaks. 

A sculptor friend of Father's brought me a lump of clay and I used to model little heads. Mother wanted me to take it up seriously, but I loved color [too] much. In fact, I loved it so much that Father never allowed me to have any paints, as he feared I might neglect drawing. But I'm sure it would not have mattered, for I love line just as much as color. Father said that I must have my college education first, and then he'd give me my art education.

Dad and I were great chums. I adored him. I would never have dreamed of disobeying him. If he'd told me to jump out of the window, I'd have done it instantly. I was a biddable creature anyhow, having been born with an inferiority complex, and believing that everyone knew better than I did. And my upbringing tended to accentuate this, as Grandmother Michel had the old fashioned idea that children should be kept down and not be allowed to get above themselves, as she expressed it. She was devoted to me, but thought it her duty to sit on me occasionally.

Mother liked to go to bed early, but Dad liked to work at night, and [always] sat up more than half the night. He and I used to sit up till all hours talking. Finally, with a guilty glance at the clock, he'd say hurriedly, "Run along upstairs, honey," then add shamefacedly, "You needn't say anything to your mother about it." Dad was born a few centuries too late. He was a knight errant in spirit, always ready to help the weak and oppressed with no thought of himself. His motto was "Noblesse Oblige."

[Ellen/Nellie/Nella Fontaine Binckley (September 1, 1860-April 27, 1951). Family names and dates were whimsically tweaked by their owners during their lifetime, adding mystery and sometimes causing confusion. For Binckley's "Artist's Life," I'm opting for the full artist's signature name, Nella Fontaine Binckley. 

Grandmother = Jane Johnston Mitchell/Michel (1811-1892).
Mother = Mary Louisa/Louise Mitchell/Michel Binckley (1838-1930).
Father = John Milton Binckley (circa 1831-1878).

Grandma = Charlotte Stocker Binckley /aka Charlotta Stoker (February 19, 1788-November 25, 1877). 
Mary Wood Johnston = Mary Valentine Wood Johnston (May 8, 1769-June 17, 1825).

For French translation, see "Borrowing Trouble," translated by Nellie Binckley, St. Nicholas: Scribner's Illustrated Magazine for Girls and Boys. Conducted by Mary Mapes Dodge. Volume I (November 1873-November 1874). Scribner & Co., 1874. See page 430 (Volume 1, Number 7, May 1874). The French title was "Emprunt de Peine."]

Wednesday, November 30, 2016

Joseph E. Johnston to Eliza Johnston Hughes, April 12, 1874

[Joseph Eggleston Johnston at Savannah to Eliza Mary Johnston Hughes at [?], April 12, 1874. Box 25, Folder 2, Robert Morton Hughes Papers, Special Collections and University Archives, Patricia W. and J. Douglas Perry Library, Old Dominion University Libraries, Norfolk, VA 23529. This is my rough transcription.]

Savannah, April 12th 1874

My dear Lizzie,

Your letter concerning the book gave great pleasure to Lily and myself. We were delighted at your pleasure, as well as at priding that you approve our "book." A little suspicion lurks in our minds, however, that your confidence in me as a military success is not so strong as it once was. This disappoints me somewhat. For, like Aeschylus, my ambition if more of a military than literary kind.

I am glad that some of the comments on the book made by the ex-president's underlings are not likely to reach you. Especially those in the N.Y. Sun and Memphis Appeal. The first attributed to Gen'l Dick Taylor's influence. The other signed George R. Phelan. According to these critics, my future as a writer was exceeded only by that as general.

Floyd's description of Norfolk indicates great progress in the last thirty years. It has improved wonderfully since I knew the place, evidently. Tell him, however, that Savannah has some advantages -- as he may find in any Ga. system of geography.

Lily has had no long or dangerous illness this winter, but has been confined to the house very much, and is quite unwell now.

How does Rob like the University? As much as William & Mary? I hope that he has such as inclination for mathematics as may bring him in contact with my friend Profr. Venable.

Remember to the Judge and Floyd.

As ever, Affectionately yours
J. E. Johnston

[Joseph Eggleston Johnston (1807-1891)

Lizzie = Eliza Mary Johnston Hughes (1825-1909), his niece
Book = Narrative of Military Operations: Directed, During the Late War between the States. New York: D. Appleton & Co., 1874.
Aeschylus (525-455 B.C.)
Dick Taylor (1826-1879)
George R. Phelan (d. 1883)
Floyd = Floyd Hughes (1861-1940), Lizzie's son
Lily = Lydia Milligan Sims McLane Johnston (1822-1887), his wife
Rob = Robert Morton Hughes (1855-1940), graduate of William & Mary and the University of Virginia Law School. Lizzie's son
Venable = Charles Scott Venable (1827-1900)
The Judge = Robert William Hughes (1821-1901), Lizzie's husband]

[Many thanks to William Myers, Mary Davy and Sally Young for their ongoing research collaboration.]